New Visions
through ceramic

The ceramic remains the same, but the way we look at it changes. The new Rometti collections are born from different encounters and from gestures that continually renew themselves. Each collection follows its own direction, maintaining a deep connection with the material while observing it from a new perspective.

The dialogue between memory and contemporaneity emerges powerfully in Giardini, the collection by Luca Baldelli. The project continues the legacy of Dante Baldelli, reinterpreting it through a contemporary lens. The vases become narrative surfaces, crossed by signs and colours that evoke inner landscapes, fragments of nature and suggestions suspended between reality and imagination.

With Terre d’Argent, Marc Deloche introduces a reflection on the relationship between ceramic and metal. The forms, essential and balanced, create a dialogue between matter and light, structure and surface. The ceramic takes on an almost architectural presence, where formal rigor and material sensitivity coexist in a measured exchange.

Gesture becomes the central element in Canto della Luna by Louis Bottero. Rapid lines, decisive marks and vibrant colours, influenced by urban culture, find in ceramic a surface of synthesis. The material absorbs the energy of the gesture and returns it in a controlled form, where spontaneity and precision reach equilibrium.

In Mirabilia, Dylan Tripp brings his perspective as a floral designer into the ceramic project. The Ovum, Corolla and Kylix vases arise from a reflection on function and balance of form: objects conceived to hold flowers, yet also able to exist as contemplative presences, where colour, fragility and structure engage in harmonious dialogue.

The research opens to new generations with Alma by Andrea Di Pietro, finalist of the Rometti Prize 2025. The collection explores the relationship between object and space through essential forms and matte surfaces. Ceramic becomes a quiet presence, capable of conveying calm, continuity and a more conscious relationship with the material.

The journey concludes with Tsuki by Nicola Orsini, a project guided by a free and intuitive approach. The surfaces evoke lunar landscapes, built through gradations and contrasts of light, restoring to ceramic a narrative, poetic and imaginative dimension.